Oregon Society of Artists – Zoom ClassMondays 10 am – 12 pmTwo seven-week sections: September 14th – December 18th Section 1: September 14th – October 26thth Section 2: November 2nd – December 14th $119 for 7 classes / ($17 per class) $20 drop-in class (member price)$175 for 7 classes / ($25 per class) $30 drop …
A 3-Day Workshop with a Live Model October 9th – 11th, 2020 • 9:30 AM – 4:30 PM Oregon Society of Artists, Portland, Oregon $375 ( includes model fee) To register, please visit: https://public.osartists.org/public/workshops Professional portraitist Joanne Mehl offers a three-day workshop that intensively develops the fundamental skills of Alla Prima Portrait Painting. From seeing …
Two seven-week sections: Section 1: January 6 – February 17 Section 2: February 24 – April 6 Oregon Society of Artists, Mondays, 9:30 am – 12:30 pm, downstairs studio $367.50 for each 7-class section ($52.50 per class) / $65 per drop-in class Non-member price: $455 for each 7-week section / $70 per drop in class …
Two six-week Sections: September 19th – December 12th Section 1: September 19th – October 31st (note: no class October 10th) Oregon Society of Artists, Thursdays, 1:00 pm –4:00 pm Section 2: November 7th – December 12th $216 for 6 classes / ($36 per class) $46 per drop-in class (member price) $276 for 6 classes/ ($46 …
Two six-week Sections: September 16th – December 9th Oregon Society of Artists, Mondays, 9:30 am – 12:30 pm, downstairs studio Section 1: September 16th – October 28th (note: no class October 7th) Section 2: November 4th – December 9th $315 for 6 classes / (52.50 per class) $65 drop-in class (member price) $390 for 6 …
Join American Academy of Equine Art Signature Member Joanne Mehl as she teaches a special workshop devoted to this unique subject.
Many artists struggle with painting the eyes in portraits and figures. We tend to paint our symbolic idea of eyes, rather than what eyes actually look like.
Join us outside this summer and experience the joy of painting the figure en plein air! Painting the costumed model while enjoying the beautiful summer weather has been a time-honored activity since before the Impressionists.
Many artists struggle with rendering flesh tones when painting the figure – too many color choices can lead to confusion and frustration. But working in a more limited palette allows greater control in color mixing, and also increases the painting’s color harmony.